After being murdered, his consciousness dormant and unaware of the passing of time while confined in an elaborate water trap, Kai wakes to find a lesser mage attempting to harness Kai’s magic to his own advantage. That was never going to go well.
But why was Kai imprisoned in the first place? What has changed in the world since his assassination? And why does the Rising World Coalition appear to be growing in influence?
Kai will need to pull his allies close and draw on all his pain magic if he is to answer even the least of these questions.
Fun, engaging story built around magic, empire, friendship, and vengeance. A familiar quest, but with enough twists and turns and different takes to keep returning to. Easy, comfortable writing that immerses you in an expansive world with complex characters and lots of compelling scenes and powerful moments, but with occasional moments that seem out of place as well. Clearly Book One of a series to come, but a good and satisfying story in its own right, and I'll definitely read the next one.
Habe das (Hör-)Buch bei 12% abgebrochen.
So der ich Murderbot Diaries mag, so sehr hat mich Witch Kind gelangweilt.
Ich konnte zu keinem Charakter eine Verbindung aufbauen und das ist eine schlechte Grundlage um einer so komplexen Story akustisch zu folgen.
Das Hörbuch begann tatsächlich mit einer mehr als drei Minuten andauernden Aufzählung von absurd vielen Charakteren, von denen viele noch Spitznamen hatten und in Beziehung zu anderen Charakteren standen,… Natürlich konnte ich dem nicht folgen, ich kannte ja noch nicht mal einen der Charas.
Kein guter Start.
Der Rest der 12%, die ich gehört habe, unterschied sich allein in einem Aspekt positiv von 0815-Fantasy: Das Setting war nicht irgendwo im europäischen Mittelalter. Vielmehr zogen die Personen umher, waren vielleicht Beduinen oder ähnliche nicht-sesshafte Gruppen.
Aber alles andere war so langweilig: Hauptcharakter männlich (wenn auch nicht hetero), „the chosen one“ (wenn auch Dämon), rechtschaffend-gut obwohl Dämon, … und was mich …
Habe das (Hör-)Buch bei 12% abgebrochen.
So der ich Murderbot Diaries mag, so sehr hat mich Witch Kind gelangweilt.
Ich konnte zu keinem Charakter eine Verbindung aufbauen und das ist eine schlechte Grundlage um einer so komplexen Story akustisch zu folgen.
Das Hörbuch begann tatsächlich mit einer mehr als drei Minuten andauernden Aufzählung von absurd vielen Charakteren, von denen viele noch Spitznamen hatten und in Beziehung zu anderen Charakteren standen,… Natürlich konnte ich dem nicht folgen, ich kannte ja noch nicht mal einen der Charas.
Kein guter Start.
Der Rest der 12%, die ich gehört habe, unterschied sich allein in einem Aspekt positiv von 0815-Fantasy: Das Setting war nicht irgendwo im europäischen Mittelalter. Vielmehr zogen die Personen umher, waren vielleicht Beduinen oder ähnliche nicht-sesshafte Gruppen.
Aber alles andere war so langweilig: Hauptcharakter männlich (wenn auch nicht hetero), „the chosen one“ (wenn auch Dämon), rechtschaffend-gut obwohl Dämon, … und was mich immer besonders irkt: Natürlich haben die wichtigen Leute alle Bedienstete-bis-Sklaven, die möglicherweise durch weniger-reinblütig-sein an diesen Platz kamen… Urgh.
Das ist mit alles zu monarchistisch, da höre ich lieber ein paar langweilige, heteronormative Grusel-Hörspiele bis das nächste Murderbot-Hörbuch in der Bücherei verfügbar ist.
Interesting and well-executed approach to worldbuilding
4 stars
Witch King features a lot of worldbuilding. Its fantasy world is inhabited by different people with different cultures, and people who can different sorts of magic in different sorts of way, and Martha Wells manages to weave details about this world into the story in a way that makes the world feel alive (except for all the dead people).
The setting is also one with a history of dramatic upheavals and epic struggles, though the story is not set during those things. The main narrative is set years after major historical events, whose effects are still felt by the present-day characters. We also get flashbacks of events around the major historical events. In this way, the book tells a history by telling of its aftermath, and the events that preceded it. This is something that could be executed poorly, leaving a disappointing gap, but it actually works pretty well in …
Witch King features a lot of worldbuilding. Its fantasy world is inhabited by different people with different cultures, and people who can different sorts of magic in different sorts of way, and Martha Wells manages to weave details about this world into the story in a way that makes the world feel alive (except for all the dead people).
The setting is also one with a history of dramatic upheavals and epic struggles, though the story is not set during those things. The main narrative is set years after major historical events, whose effects are still felt by the present-day characters. We also get flashbacks of events around the major historical events. In this way, the book tells a history by telling of its aftermath, and the events that preceded it. This is something that could be executed poorly, leaving a disappointing gap, but it actually works pretty well in Witch King.
We also do get a bunch of likeable characters doing an adventure together, which is something Martha Wells does well, and she does not disappoint this time.
Witch King flips back and forth between two times. One is a mystery - who trapped us? What intrigue is afoot and how can we foil it.
The other is a rising challenge, a hopeless rebellion against an overwhelming authority.
Both are told with strength and warmth- our protagonist is frankly a bit of a shit in the beginning, but we learn why and see where they are coming from and where they are supported more than they see.
It ends with the perfect ending for a mystery and the aftermath of a rebellion. The story is done.
I’d absolutely enjoy another book in this world but this stands well all by itself.
This one is difficult to rate for me. I only had 7 days to read it but it's a book that needs to be savoured. You should take your time with it. So I probably didn't get the full experience.
The narrative starts right in the middle of a story that has a long backstory some of which the readers are going to learn during the course of the book. There are also quotes from historical or anthropoligical works from that world at the beginning of chapters. A lot of thought went into the world-building.
The chapters switch between the present and the past. While I do like the sense of layers of history that certain places and relationships have due to that I also feel that this narrative structure didn't quite work. A couple of times the timing is such that the emotional impact of places and events is …
This one is difficult to rate for me. I only had 7 days to read it but it's a book that needs to be savoured. You should take your time with it. So I probably didn't get the full experience.
The narrative starts right in the middle of a story that has a long backstory some of which the readers are going to learn during the course of the book. There are also quotes from historical or anthropoligical works from that world at the beginning of chapters. A lot of thought went into the world-building.
The chapters switch between the present and the past. While I do like the sense of layers of history that certain places and relationships have due to that I also feel that this narrative structure didn't quite work. A couple of times the timing is such that the emotional impact of places and events is lessened because we don't know of it, yet. I also wish we could have spent a bit more time with the grassland tribes in the beginning.
The only other books by Martha Wells that I've read are the Murderbot Diaries, so it's pretty hard for me not to view it through that lens.
Which is unfair on the book, because it is entirely its own thing.
But also carries a lot of Murderbot DNA.
There's the conversational style, the same exasperated, hyper-confident protagonist with a prickly exterior but a heart of gold...
But Kai is also more openly vulnerable, more open with his friends and much more DTF.
Plot-wise it suffers from the same issues I have with the MBDs. The overarching story wasn't compelling, I don't really understand the stakes or the politics, at least not for the bulk of the book. So it was hard to get invested. But it doesn't matter because the whole thing is really just a framework to hang the individual set pieces on and, man, Wells is amazing on …
The only other books by Martha Wells that I've read are the Murderbot Diaries, so it's pretty hard for me not to view it through that lens.
Which is unfair on the book, because it is entirely its own thing.
But also carries a lot of Murderbot DNA.
There's the conversational style, the same exasperated, hyper-confident protagonist with a prickly exterior but a heart of gold...
But Kai is also more openly vulnerable, more open with his friends and much more DTF.
Plot-wise it suffers from the same issues I have with the MBDs. The overarching story wasn't compelling, I don't really understand the stakes or the politics, at least not for the bulk of the book. So it was hard to get invested. But it doesn't matter because the whole thing is really just a framework to hang the individual set pieces on and, man, Wells is amazing on the small scale.
The action is so good. Well's writes in such a cinematic way that I am immediately sucked into the scene. And they feed into each other so well, with the split past/present back story meaning that you are always left in the middle of some cliffhanger or important event even during the downtime.
The setting is also really interesting, the magic system is weird, but usually clearly conveyed, and the world is... well it's a mess. Dealing with the fallout from the magical equivalent of a nuclear war.
Overall, the most basic comparison is the strongest though. This is an incredibly compelling book, that I can see myself re-reading many times.
I adored how wide the world felt and how much was hinted at by the various, subtly interacting magic systems at play. I feel like there are so many nooks and crannies to be explored around the main storyline of this book that it feels like a nearly inexhaustible mine. More, please!
The narrative structure jumps from the present to the past, each giving context to the other and its people -- literally showing you why the characters act the way they do, showing how the current situation came to be, giving you a real sense of time and consequence. I loved it.
And, as I've come to expect from Martha Wells, her depictions of trauma responses feel on-point and real. How everyone reacts to their own ghastly experiences and how it drives them are on full display and are very sympathetic.
So: great world-building. Fun characters and relationships. A …
I adored how wide the world felt and how much was hinted at by the various, subtly interacting magic systems at play. I feel like there are so many nooks and crannies to be explored around the main storyline of this book that it feels like a nearly inexhaustible mine. More, please!
The narrative structure jumps from the present to the past, each giving context to the other and its people -- literally showing you why the characters act the way they do, showing how the current situation came to be, giving you a real sense of time and consequence. I loved it.
And, as I've come to expect from Martha Wells, her depictions of trauma responses feel on-point and real. How everyone reacts to their own ghastly experiences and how it drives them are on full display and are very sympathetic.
So: great world-building. Fun characters and relationships. A complex, political story with very "human" characters. It drops you in to a rushing river and expects you to swim, which I love.
That said, I feel like the characters besides Kai, the main POV, are a little flat. There's a chance that they feel that way because of how much Kai is struggling with their own inner demons (heh heh); maybe Kai's inward focus makes them somewhat blind to others' personalities and the narrative reflects that?
