I generally love Orhan Pamuk novels. His writing is descriptive in a way that is unmatched by any contemporary author. Unfortunately this book was not for me. It was incredibly descriptive in a way that only seemed to add pages to the book, no joke this book honestly added pages on my ereader as I read it. Perhaps, if this had been historical fiction taking place in a real country, it may have not been as painful, but this was too much effort for a fictional revolution on a fictional island.
The island of Mingheria plays host to a doubly deep deception by the master storyteller Orhan Pamuk. The book opens by telling us it is written by a fictional historian, followed by an introduction to the fictional Mediterranean island where the history takes place. The events surround a spread of plague on the island in 1901, and its social and political consequences. Interestingly, Pamuk began writing it with the advice of epidemiologists before the COVID-19 pandemic began, but it echoes many socio-polotical events of that period.
While the character elements of the story are a little hollow, the book is flawless when it deals with the entangled machinations of political intrigue. The author (both the false narrator and the authentic writer) show a keen sense of how politics, religion and social norms entwine in and around events like an epidemic, quarantine measures, and public health. More than this, Pamuk takes …
The island of Mingheria plays host to a doubly deep deception by the master storyteller Orhan Pamuk. The book opens by telling us it is written by a fictional historian, followed by an introduction to the fictional Mediterranean island where the history takes place. The events surround a spread of plague on the island in 1901, and its social and political consequences. Interestingly, Pamuk began writing it with the advice of epidemiologists before the COVID-19 pandemic began, but it echoes many socio-polotical events of that period.
While the character elements of the story are a little hollow, the book is flawless when it deals with the entangled machinations of political intrigue. The author (both the false narrator and the authentic writer) show a keen sense of how politics, religion and social norms entwine in and around events like an epidemic, quarantine measures, and public health. More than this, Pamuk takes many satirical shots at nationalism and nationhood, employing as a punchline the fictional island nation of Mingheria at a time when nation states were becoming a way of politically understanding territory in many parts of the world.
