The Witness for the Dead

This book is a return to the world of The Goblin Emperor, which I quite liked. It's an indirect sequel, set after the events in the first book, but pretty much unrelated otherwise. Its protagonist is Thara Celehar, the Witness for the Dead who helped Maia previously. He is now posted in the city of Amalo, a political backwater, which is fine for Thara. He tries to do his job, and much of the book is spent in his investigations on the death of an opera singer. But he also gets swept up in political intrigues, has to go fight undead, and drinks a lot of tea.

I must admit that at times my attention strayed. The plot is very meandering, it just piddles along, and I like myself a tighter narrative. Thara remained a bit bland. Addison likes to drown the reader in all the terms specific to her world, and I found that a bit tedious at times. But it was overall quite good, just not great.

Ya habíamos conocido al personaje central en The Goblin Emperor. Algo triste y solitario, también va con su oficio de Testigo de los Muertos. Es que en ese mundo hay Testigos que hablan por los que no tienen voz. No es el énfasis que le dan, pero se parece a los derechos de la Pacha Mama, creo, y creo que se menciona que a veces hay un Testigo que toma la voz de un río o de un monte.

Para ser Testigo de los Muertos debes tener el llamado, y con suerte tendrás el Talento. El talento te permite "ver" un poquito, sentir las últimas impresiones de lo que queda de las almas en los cuerpos. Además te entrena la orden monacal de los testigos, y adquieres el superpoder de la escucha profunda.

Los Testigos de los Muertos buscan la Verdad, que no siempre es lo que más conviene.

Ciertamente no le conviene a los asesinos que la verdad de sus crímenes se conozca. De ahí los nudos trenzados de esta historia. Con un par de aventuras y peripecias distractoras por ahí enmedio, emocionantes y terroríficas.

Buena lectura de fantasía, recomendable para el otoño.

This was one of those books that when it ended, I missed getting to be in the world. It has a kind of understated, slice-of-life feel, with a lot of detail and reverence paid to the minutia of daily life and community relationships, that felt more prominent to me than the murder mysteries. Addison writes with an immense amout of compassion and tenderness, and for me that is what makes this book, and The Goblin Emperor, transcend what they would be on their face, in terms of plot.

The writing style drops you into the cultural nuances of the society largely without explanation, and you can infer, for example, what different honorifics mean through context. I really really like this and I think overall its very well done, but I think it would be more daunting if I hadn't already read The Goblin Emperor, and there were some points at which I needed a little help. Specifically, I found the sexual mores confusing, and it was important to the plot that they make sense.

I would highly recommend this if you read and liked The Goblin Emperor, but I'd be more cautious to recommend it if you haven't, even though it's not a sequel per say.