“If you cannot speak truth at a beheading, when can you speak it?”
England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen before Jane dies giving birth to the male heir he most craves.
Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, …
“If you cannot speak truth at a beheading, when can you speak it?”
England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen before Jane dies giving birth to the male heir he most craves.
Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him?
With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion, and courage.
--front flap
It took me close to a year to finish this one -- I grabbed the Kindle version shortly after getting my Paperwhite. Wolf Hall was one of my first Kindle ebooks back in the day. Like Wolf Hall and Bring Up The Bodies, I thoroughly enjoyed the imagery, the details of England in the reign of Henry VIII; however, it's a long book (over 700 pages) and the cast of characters as usual was hard to track at times, and slowed me down. I also was of course dreading Cromwell's inevitable downfall and execution, which was rapid, although foreshadowed in numerous ways in the previous years before.
It is long, yet somehow one doesn't want it to end.
The quality of writing is extraordinary, and the way Mantel evokes an era none of us can know is so bold and brazen that the reader falls under her spell completely.
Very cleverly, she does not crave our sympathy for Cromwell in any of the three books; he is a bit of a thug and a man of his time. However, the reader is invited to respect him and to admire his transformation from humble beginnings in Putney to become one of the most consequential people of the 16th Century. At the end, Cromwell accepts his fate, and its inevitability. As inevitable - and unavoidable - as a kick to the head from his father Walter. For if Cromwell had tried to live his life in a way to avoid such a miserable ending, then he would have had …
It is long, yet somehow one doesn't want it to end.
The quality of writing is extraordinary, and the way Mantel evokes an era none of us can know is so bold and brazen that the reader falls under her spell completely.
Very cleverly, she does not crave our sympathy for Cromwell in any of the three books; he is a bit of a thug and a man of his time. However, the reader is invited to respect him and to admire his transformation from humble beginnings in Putney to become one of the most consequential people of the 16th Century. At the end, Cromwell accepts his fate, and its inevitability. As inevitable - and unavoidable - as a kick to the head from his father Walter. For if Cromwell had tried to live his life in a way to avoid such a miserable ending, then he would have had no life worth living at all.
