“There simply was no place in the refined temples of Attica and Sparta for a mountain goat like Pan.”

…”It was man’s jealousy of woman that started it,” she said. “They wanted to drive the goddesses out of Olympus and replace them with male gods.”

“Is Pan not a male god?” asked Alobar.

“True, he is, but he is associated with female values. To diminish the worth of women, men had to diminish the worth of the moon. They had to drive a wedge between human beings and the trees and the beasts and the waters, because trees and beasts and waters are as loyal to the moon as to the sun. They had to drive a wedge between thought and feeling, between the lamplight by which they count the day’s earnings and the dark to which our Pan is ever connected. At first they used Apollo as the wedge, and the abstract logic of Apollo made a mighty wedge, indeed, but Apollo the artist maintained a love for women, not the open, unrestrained lust that Pan has, but a controlled longing that undermined the patriarchal ambition. When Christ came along, Christ, who slept with no female, neither two-legged nor four, Christ, who played no musical instrument, recited no poetry, and never kicked up his heels by moonlight, this Christ was the perfect wedge. Christianity is merely a system for turning priestesses into handmaidens, queens into concubines, and goddesses into muses.”

— Jitterbug Perfume by Tom Robbins (Page 50 - 51)