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The Wildelings by Lisa Harding was on a 'dark academia' reading list I came across. I don't know if it fits into that category. Still, it takes place at a fictional Dublin university (named after Oscar Wilde) and deals with some dark elements of human nature, so sure.

The story revolves around Jessica and Linda, two friends who met as girls in their small town, and who have come to Wilde together. Jessica is a pretty, talented, and ambitious young woman with aspirations in theater. Linda, on the other hand, came from a difficult home life and was essentially adopted by Jessica and her stepmom. Linda is shy, unsure of herself, and afraid of attention. From the beginning, Jessica has had a dominant position in the relationship, never seeing Linda as any threat to her popularity or social standing.

At Wilde, they meet Mark, a philosophy student who is in a graduate program at the university. 

Mark is enigmatic and strangely attractive. People gravitate to him, and he holds enormous control over his friends, a sort of cult-leader-in-the-making. Mark casts Jessica in his play, and at the same time, begins a romantic relationship with Linda. As Jessica falls deeper under Mark's spell, confused by her feelings toward him, she is challenged by Linda's happiness as the girlfriend of the most popular man on campus (despite being in a relationship with a hot French dude).

Jessica is equal parts an immature, selfish, vain, and attention-hungry young woman, and also perplexed and terrified at the loss of control she experiences as the plot unfolds. The book is written from her point of view, and I found myself oscillating between sympathy and a desire to slap some sense into her.

Mark's influence over the people in Jessica's life begins to look threatening when she notices people acting strangely toward her and each other. There's a palpable sense of danger in the narrative as Jessica finds herself on rocky footing socially while her best friend seems to be ascending. She suspects that Mark is intentionally creating this dynamic, but for what purpose we never find out.

The only part of this book that left me frustrated was the lack of clarity around Mark's motivations. Maybe this is intentional on Harding's part, but I finished the book - which had a dramatic and tragic ending - unsatisfied and wondering why all of this had to happen in the first place. Maybe Mark is just an asshole, and there are no real motivations, but that flies in the face of everything we learn about him along the way. He's controlling, manipulative, and highly intelligent with strong ideas that he forces on others in innumerable ways.

Regardless, I enjoyed reading this book. It’s filled with tension, and Harding captures the uncertainty and self-absorption of young adulthood perfectly. This is a solid read.

A damn fine follow-up to The Legend of Charlie Fish. Rountree says in the afterword that he has a series of monster stories set in the Wild West in mind. I hadn't seen Charlie Fish as The Creature from the Black Lagoon when I read it, but that's the inspiration. This is Frankenstein in a Wild West Revue. Where my takeaways from Charlie Fish were a sense of place and longing for a family, Frank Lightning is the tragedy, trauma, and perhaps inevitability of violence.

Catherine Coldbridge is both a doctor and something like a witch. Two weeks after marrying Frank Humble in Montana in 1879, he is ambushed while on patrol for the U.S. Army. Distraught and heedless of the consequences, Catherine stitches him together from battlefield body parts and uses magick to bring him back to life. In a soulless, monstrous rage, he kills and Catherine flees. 25 years later, she attempts to right the wrong by killing him, for which she has hired the brothers Dawson, men not afraid to kill.

Be ready for a lot of horror-movie-level violence. Unlike many Westerns, the violence takes its toll. On everyone. On Catherine especially. Also on Frank, Catherine's first love Louisa, the Dawsons... everyone. This is bloody and traumatic. Not a wilting flower, Catherine is nevertheless consumed with the psychic effect of violence.

Quite good! Not as good as Charlie Fish, but I'm still giving it four stgars.

CJ Cherryh's Foreigner series is one of my favorites, and I feel like it's wildly underappreciated. I'll keep my future reviews shorter I promise, but let me pitch these thirty year old books to you.

Here's what brings me back to these books:

(1) Interesting alien psychology. The alien Atevi do not have a concept of "love" or "trust". They are instinctually and biologically hierarchical, with upward loyalty in their associations. This creates all sorts of translation friction across cultural boundaries. They are also incredibly numerically-minded, with the numerical equivalent of astrology, finding particular numbers innately more felicitous than others. They do truly act in interesting and non-intuitive ways, and it's so fun to read.

(2) Humans aren't particularly privileged. This isn't an uplift story. Although the humans show up with more technology initially, the Atevi have their own inventions, and have very mixed feelings about how they are being pushed by the injection of another culture's ideas. Both Atevi and human politics are complicated and messy, and the series delves into intricate political worldbuilding about various internal factions on both sides.

(3) A blend of action and politics. There's a lot (a lot) of diplomacy and talking about and (thinking about) politics in these books; but also Atevi also believe that assassination is a respectable and legal means of solving disputes. The combination mean these books read like grippy fantasy political thrillers.

He had no idea what its native customs or expectations must be. It could have very little idea about his. But it was possible to be civilized, all the same, and he found it possible to be gracious with such a creature, odd as it was

(4) The tea drinking. I feel like a through-line of this whole series is about trying to be civilized and gracious even and especially when you don't understand the beings on the other side of the table. It's no surprise to me that the Ancillary books took the tea-drinking detail from this series.

On the flipside, I think CJ Cherryh does not do "alien gender" or "alien bodies" very interestingly here. (One could argue that it's not the point, or the similarity is part of what creates the trap of thinking the characters and the reader can understand them through a human lens.) Maybe I'm picky about this particular detail, but even as I love the alien psychology, it is wild to me to write aliens that are so human-like in other ways. What does stand out to me is that Atevi have two binary genders, which are somehow legible to humans from the first moment they meet. If my memory serves me, these books are also incredibly straight. It just feels like a missed opportunity.

One other thing that makes these books hard to recommend: their length. The series is written as arcs of three novels. Currently, there's seven (7?!) full arcs and one additional novel, for a total of 22 books as I write this. On the positive side, the novels are on the shorter side (no giant fantasy tomes here), and each novel (as well as each trilogy) ends with a great sense of closure. The pacing is quite good (and maybe almost too regular). Personally, I think the first two trilogies cover the most ground and so you could stop there as a reader and still come away with most of the scope.

Ok, let me talk about Foreigner, this first book, specifically.

What I love the most is that Foreigner is a first contact story that is not about the moment of first contact. I've read too many books about the very first moments of meeting aliens; this book brushes past that two hundred years into the future to talk about the politics and power dynamics between stranded humans on an alien world who have a tentative understanding with said aliens. (Incredibly tangentially, but this is the same premise I love about Mira Grant's Feed, a zombie book that zooms twenty years past any initial zombie uprising to talk about the politics of trying to get on living in such a world.)

This first book (and most books) follow the point of view of Bren Cameron, the treaty-established human paidhi. His job is to translate and mediate and be the single point of contact between the Atevi and human governments.

I want to warn a little up front, but the pacing of this first book is a bit wild. Let me try to break it down. There's a few chapters about how humanity ended up on this planet and then time jumps forward. There's some initial action as Bren is attacked in the night. Soon after for his own safety(?), he is carted off to the countryside manor of the Atevi leader Tabini's grandmother, Illisidi. At this point, Bren is out of contact with his government, unsure about who to trust; his security keeps disappearing and won't answer any of his questions; he can't get his mail or a power charger; he gets poisoned (intentionally?); there continue to be attacks (but from whom?); he starts getting paranoid of Atevi that he's previously trusted. I would almost describe this part of the book as worldbuilding through Bren's anxiety, where the things he is worried about help to explain Atevi psychology to the reader. Things get to a breaking point and the book ends with some really good sequences and action, where Bren's will and motives are truly tested multiple times.

What's dangerous about this to me is that for a large portion of the book, Bren (and the reader) have no idea what's going on. There are events and politics happening off page that nobody will tell Bren about no matter how he asks. He is, essentially, a prisoner in Illisidi's country manor. I think this exercise in uncertainty and mistrust is something you could largely only do in a first book in a series, as the reader will know (better) in future books which recurring characters are "on side" or not, as much as you could ever say that with Atevi. This whole section works for me because I think it functions quite well as worldbuilding, but also truly gets into Bren's psychological state as the single human inside the larger Atevi world, trying to cope with his human emotional needs not being met by Atevi who do not understand them and cannot meet them.

At any rate, I love this book. It's such a good introduction to the world and the politics and the characters. This series surely isn't for everybody, but I keep coming back to the interesting aliens, cross-cultural misunderstandings, and intricate fantasy politics.

Excellent transhumanist post-apocalypse sci fi adventuring, reckless and fucked up in all senses of the phrase, but also a meditation on trauma and how we cope with it. Worth checking out for the following:

-Rolling Fuck, a mobile city full of posthumans who are mostly high out of their minds -the Big Bad being really awful Christian supremacists -the awful Christian supremacists getting their fucking asses kicked from here to high heaven. Or hell, more likely.

Technically that's a spoiler, but that outcome is something of a foregone conclusion. The truly interesting parts of the plot are about how the people on the "right" side, if there is such a thing, try to prevent themselves from turning into monsters in their fight to stay free, and how they deal with it when they kinda turn into monsters anyway.

One point deducted only because the writing is a bit stiff in places; the ideas and the story are fantastic but high literature it is not.

This was the #SFFBookClub book for August 2025.

In some ways, this book structurally reminded me of How High We Go in the Dark; they're both a post-apocalyptic, interconnected series of stories about humanity trying to survive. The stories here are further in the future and feel much more surreal and dreamlike. If anything, I feel like I've missed something critical as a reader--I can't quite put my finger on what this book is trying to do.

There are a few things that don't work for me. I think the stories largely don't stand on their own: there's many interesting ideas, but they don't feel connected via plot or resonate with a theme. There's also a penultimate chapter of the book where the book just out and out tells you everything it's been hinting at previously. I had guessed at a good bit of it, but it felt underwhelming to have it laid out so plainly rather than sketched across stories.